Scale Degrees: The Secret Language of Music
Stop memorizing random chords. Start hearing relationships. When you feel each degree (I–vii), the fretboard and your songs open up.
What You’ll Learn
- Each chord in a key has a degree (I–vii). In C: C=I, Dm=ii, Em=iii, F=IV, G=V, Am=vi, Bdim=vii°.
- Degrees are more than numbers: they carry feelings (I = home, IV = lift, V = tension/glue, etc.).
- Hearing degrees lets you recognize progressions (ii–V–I, I–vi–ii–V) in any key.
- Tagging sounds = faster memory: root + 3rd (tenths) or shell chords (1–3–7) make the colors clear.
- Adding 7ths (maj7, min7, dom7, half-diminished) deepens your ear and your harmonic vocabulary.
Action Steps (Start Internalizing Today)
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Play & Name the Degrees (5–7 min)
- In C: play C–Dm–Em–F–G–Am–Bdim–C.
- Say: “I…ii…iii…IV…V…vi…vii°…I.”
- Hum/sing the root while strumming. Ask: How does it feel?
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Feel the Functions (5 min)
- I = home (rest).
- IV = lift/longing.
- V = tension/glue back to I.
- Cycle I–IV–V–I and listen to the emotional pull.
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Shell Chords with 7ths (10 min)
- Play Cmaj7 → Dm7 → Em7 → Fmaj7 → G7 → Am7 → Bm7â™5 → Cmaj7.
- Keep it minimal (root–3rd–7th). Focus on sound, not shapes.
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Tag a Song (5 min)
- Take a tune in C major (any style).
- Write the numbers under the chords (I, vi, IV, V, etc.).
- Play it back thinking numbers first.
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Daily Ear Drill (3–5 min)
- Play C → G (I → V).
- Sing the “pull” back to I before resolving.
- Repeat with I → IV, I → vi. Notice how each move feels unique.
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Extend Tomorrow (2–3 min)
- Try the same process in a new key (G major, F major).
- Notice how the feelings stay the same, even though the notes change.